Covers of the Albert King staple "Crosscut Saw" and Sleepy John Estes's "Everybody Oughta Make a Change" boast the album's best blues fills and flurries, while the freight-train jump blues of Johnny Otis's "Crazy Country Hop" closes out the low-key LP with something more resembling a bang
The "Blue" designation indicates a smooth, lighter profile compared to the original Camel, while still delivering the brand's characteristic blended tobacco taste
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