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The start/stop intro"One, two, three o'clock, four o'clock, rock"masterfully sets up the final line of the stanza in which the entire group hammers down single, quick chords on the emphasized syllables: "ROCK" "aROUND" "the CLOCK" "toNIGHT." Haley's energetic vocal, the simple yet effective saxophone break, the speedy and brief guitar lead and even the final, intentionally irregular drum riff sustain interest to the end

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When Hurst met Moore, he hired him as an extra for Caesar and Cleopatra , a largely forgotten adaptation of George Bernard Shaw's play

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