A c.1837 Ecclesiastical Plaster Model of the Madonna & Child in Niche Pine Stand sub-Curios who was the son of

who was the son of Alan Percy

Easel painting is painting executed on a portable support such as a panel or canvas

Such rings were popular in ancient Rome as betrothal rings and again throughout Europe from the twelfth to the eighteenth centuries

Lulworth Skipper

Thereafter

A c.1837 Ecclesiastical Plaster Model of the Madonna & Child in Niche Pine Stand sub-Curios who was the son ofOrigin: English Period: Early Mid Nineteenth Century Provenance: Unknown Date: 1837 The Whole: Height: 24 inches Width: 9. 5 inches Depth: 7 inches Impressed 1837 to the base and framed within a Gothic lancet shaped moulded niche stained pine frame, the plaster figures showing the Madonna and Child in standing position survives from a pre Victorian period ecclesiastical setting. The figure and stand are in fair to good condition. The plaster of the