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54 x 20 x 20cm
took on a young assistant called John Henry Dearle (1860–1932)
A facsimile with accompanying essays on Mary Watts's Cemetery Chapel drawn from the Watts Gallery Symposium 2010
kiln fired and leaded together
The open door represents Mary Watts’s ethos of ‘art for all’ and Watts Gallery continues to work with the local community today
William Orpen Method & Mastery stationery 54 x 20 x 20cmPublished to coincide with the opening of our latest exhibition William Orpen: Method & Mastery, this accompanying publication features six essays that explore the dynamic and evolving artistic practice of one of Britains most innovative portrait painters. Each chapter considers key works from throughout the course of Orpens career, questioning how these arresting and distinctive works provide perceptible traces of the artists training, influences,