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Musical Symbolism in the Operas of Debussy and Bart��k Ananth V. Iyer Articles in this issue include:

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Articles in this issue include: Drug allergy diagnosis

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Musical Symbolism in the Operas of Debussy and Bart��k Ananth V. Iyer Articles in this issue include:Two early twentieth century operas Debussy's Pelleas et Melisande (1902) and Bartok's Duke Bluebeard's Castle (1911) transformed the traditional major minor scale system into a new musical language. This new language was based almost exclusively on interactions between folk modalities and their more abstract symmetrical transformations. Elliott Antokoletz reveals not only the new musical language of these operas, but also the way in which they share a

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